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October 24: Bad Bishop grand opening & ’57 Biscayne industry night

Our newest Good Arts addition, on First Avenue next to Cherry Street Coffee House, Bad Bishop Bar, will open Wednesday, October 24 for cocktails and eats. We’ll keep the secret passage open that same night for ’57 Biscayne’s 100 under $100/Sweet Suite 300 Industry Night and artists’ reception, so guests can pop down for a bite of food, or up for a bite of art.

Wednesday, October 24

110 Cherry Street AND 704 First Avenue (with secret passage!)

’57 Biscayne event is from 5-7; Bad Bishop’s until 9

Congrats to Bad Bishop owner Jesse for this nice write-up in Seattle Met. And to our second-newest retail tenant, Sew Generously, joining H Bailey Boutique vintage menswear in the quest to make the men of Seattle, and anyone else, look fabulous. (108 Cherry in the Arcade)

 

Coming May 3: “You Are Here, Too” and a big fat Open House

You Are Here, Too opens Thursday, May 3 at the Good Arts Gallery.

In a city in which the ground has literally shifted several times over the past hundred years from seismic activity and human intervention, and continues to shift through highway projects and rampant development, maps can provide a link to the shared past and a record of the layers underneath.

You Are Here Too, an exhibition of artists’ responses to maps and mapping, opens May 3, 2018, continuing through August 30, at the Good Arts Building in Pioneer Square. The show is divided between two galleries within the building: Good Arts Gallery, inside Cherry Street Coffee House at 700 First Avenue, and ’57 Biscayne Artist Studios, upstairs at 110 Cherry Street (maps provided onsite). You Are Here, Too is co-curated by artists Annie Brule and Jane Richlovsky. Brule is also a cartographer.

Incorporating actual maps, or images, typography, and constructs borrowed from maps, the artworks in the show trace the topography of the natural world, political boundaries, the built environment, slavery, motherhood, and more. Artists working in diverse media—paintings, drawings, layered collages, embroidery, digital media, and ceramics—include David Francis, Nia Michaels, Dara Solliday, Joseph Pentheroudakis, Dawn Endean, Savina Mason, Morgan Cahn, Beverly Naidus, Elizabeth Arzani, Ann Marie Schneider, Hadar Iron, Lindsay Peyton, Warren Munzel, Marie Abando, Ann Marie Schneider, and Karey Kessler.

Like visual art itself, maps are an agreed-upon, yet arbitrary representation of real things; they are abstract metaphors for real places. In a lifetime of experiencing the world through these metaphors, maps and the actual places they represent start to layer themselves on top of one another in the mind of the navigator.

The layering effect is reflected in the very location of You Are Here, Too: Beloved local institution Metsker Maps occupied the footprint of Good Arts Gallery, purveying maps there from 1986-2004. Digging deeper into the layers, the ground on which the building sits was a center of commerce for the Duwamish, and Seattle’s original coastline.

The First Thursday opening reception will be held on May 3, from 6-9 PM, along with our first building-wide open house. Artists’ studios will be open to the public at ’57 Biscayne (110 Cherry), including the new third-floor expansion, and inside the Good Arts Arcade at 108 Cherry. We’ll have live piano music by Victor Janusz in the second-floor lobby.

Image: Orientation / Sand Earth, Ann Marie Schneider; photography, digital media, custom printing technique; limited edition giclee print

“The Devil Showed Up Early”

. . . to Cherry Street Coffee House. He probably just wanted a cup of coffee.

Actually, that’s the name of an art show, our second one at the Good Arts Gallery, nestled in the upper level of Cherry Street Coffee House. Every two months, ’57 Biscayne proprietrix Jane Richlovsky teams up with a different guest co-curator to put together a new exhibit. This month’s co-curator, Hen Chung of RAD AND HUNGRY, brings us paintings by Mike Tidwell.

“The Devil Showed Up Early” opens January 4 with a First Thursday reception from 5-7:30 and continues through February.

If God and the Devil met on Earth to battle against one another, I’ve always imagined it would take place in the American Deep South. With probably more churches than schools, one could argue the South is setting the stage for a confrontation of “good vs. evil”.

Growing up in small town Alabama, The Devil Showed Up Early is a series inspired by places from my childhood. It’s always felt like there was something sinister happening below the surface – a supernatural eeriness. Dig deep into the soil, and there’s beauty born from the Deep South’s past despite its twisted history. And of course, the Devil would show up early.

Mike Tidwell

Oodles of art throughout the building: First Thursday, September 7

This month marks a new milestone in the transformation of the Good Arts Building, and we’re celebrating with art events all over the building. The long-awaited new Cherry Street Coffee House is finally, gorgeously open on the corner and will stay open into the evening, serving wine and beer. Up the block at 108 Cherry, the Good Arts Arcade sports new studios and retail space.

Upstairs, ’57 Biscayne will present the fourth annual 100 under $100 show, which is just like it sounds, 100 works of art priced under $100 each. Tiny paintings, exquisite ink drawings, collages, tin constructions, photographs, and more, all ready to take home by the lucky buyers. You can also tour the open studios and sip a glass of wine while the excellent and suave Victor Janusz serenades you with standards on the piano.

Inside Cherry Street Coffee House, on the mezzanine level, the Good Arts Gallery will debut with C.Y.: Selected Work by ’57 Biscayne Artists. The venue will feature rotating exhibitions organized by ’57 Biscayne proprietrix Jane Richlovsky and a cast of guest curators.

In the newly renovated Arcade, at 108 Cherry Street, guest artist Fernando Sancho will present selections from his series of photographs African Dream Academy (featured above), as a pop-up in the large gallery space (we’re currently reviewing art/retail concept proposals for a permanent tenant). The new studio tenants of the Arcade, Gina Grey & Ieva Ansaberga are also cooking up a show in the back!

Thursday, September 7

110 Cherry Street, 108 Cherry Street, 700 1st Ave.

5-9 PM

Original Hits by Original Artists & Upstream Music in a Good Arts Pop-up

R.I.P. the album cover, sort of. We said our goodbyes to that roomy square-foot of substantial cardstock, with its fantastic artwork — maybe by Warhol or Dali or Mapplethorpe —to name just a few. We also said our goodbyes to the hours of contemplation of the cover-art while the music spun on a nearby turntable, a unique synthesis of the aural with the visual with the tactile — a feast for the soul. Then the album cover was demoted in both size and importance, a mere afterthought of a booklet cover, encased in brittle plastic. Now stripped of its physicality entirely, it’s relegated to the ether where its low-rez pixelated remains live out their diminished existence barely visible on tiny hand-held screens. Until now! With LP sales now at a twenty-eight-year high, the album cover (both genuine and fake) is back!

Original Hits by Original Artists, opening May 4 at the Good Arts Building, will pay proper homage to the art of the album cover, both past and present—without the album. The exhibit features covers for dozens of fabricated albums cut by bands that exist only in the artists’ imaginations. The show will be on view May 4 – May 31, 2017 in our 108 Cherry Street storefront, downstairs from ’57 Biscayne & next door to the future home of Cherry Street Coffee House.

A Release Party and reception for the artists will be held First Thursday, May 4, 6:00 -10:00 p.m. followed by the Upstream Music Fest, May 11-13, when there will be actual live (if unrelated) music on site, programmed by Upstream during the run of the festival. One of a handful of free venues in the neighborhood, it will be open from 4-8PM on May 11 & 12; and 1PM-8PM (music 4-8PM only) on May 13. Beer and snacks will be available for purchase during the festival courtesy of co-owner Cherry Street Coffee House. The exhibit will also be open on the last two Fridays and Saturdays in May, from 1-6PM and by appointment.

Original Hits is co-curated by artists Jane Richlovsky and Dara Solliday of ’57 Biscayne studios which, incidentally, were named for a Joni Mitchell song lyric. For this show Richlovsky and Solliday invited approximately thirty-three and one third artists to unearth those long-forgotten catch phrases that had once sparked a reply of “That would make a great band name!” and then create a full-size old-school 12-inch LP album cover for this hypothetical hitmaker. Artists include Romson Bustillo, Kelly Lyles, Nia Michaels, Jed Dunkerley, Gabriel Campanario, Richlovsky, and Solliday, showing fake album covers in paint, collage, repurposed tin, textiles, wood, and who knows what else.

Coming soon: The newest Cherry Street Coffee House, Upstream Music Fest, AND the art of the album cover

Watch this space! Construction began this week for the new Cherry Street Coffee House in the southwest corner of the Good Arts Building. Three spaces are being combined, the former Cafe Bengodi plus two adjacent storefronts that once housed Metzger Maps and, in more recent memory, a bar featuring naked sushi.

Good Arts denizens ’57 Biscayne Studios will present Original Hits by Original Artists as the inaugural exhibit in the new space: Opening May 4,  the show will pay proper homage to the art of the album cover, both past and present—without the album. The exhibit features covers for approximately 33-1/3  fabricated albums cut by bands that exist only in the artists’ imaginations. On view May 4 – May 31, 2017 in the future home of Cherry Street Coffee House, 700 1st Avenue.

A Release Party and reception for the artists will be held First Thursday, May 4, 6:00 -10:00 p.m. followed by the Upstream Music Fest, May 11-13, when there will be actual live (if unrelated) music on site, programmed by Upstream during the run of the festival. (One of a handful of free venues in the neighborhood.)

originalhits

Art Pop-ups (and the party) Continue Through August

Seattle Art Fair has ended, but the party at the Good Arts Building is just getting started. The pop-up galleries we’re hosting in the building, as well as the upstairs art studios, will continue programming cultural wonders through August.

The exhibition Placiness at ’57 Biscayne, upstairs at 110 Cherry, will be on view through August 28, open Fridays & Saturdays 1-6  (and most weekdays but an appointment is recommended). Hours and details here.

La Sala, around the corner at 702 First Avenue, has a full line-up of poetry and music events on the weekends in August, while their visual arts exhibit will be open Thursdays, Fridays, and Saturdays from 12-5 through August 30. Full schedule at lasalapresentslacocina.com.

Meanwhile, at the Center on Contemporary Art, 106 Cherry, What You See is What You Sweat flips cultural appropriation around and builds relationships between communities of color where whiteness is not the center, through a diverse array of media from video and textiles to paintings and photographs. Through August, Thursdays through Saturdays 1-7.

(photo courtesy La Sala)

Good Arts gearing up for Art Fair Weekend

Good Arts will be home to three pop-up galleries this weekend, in addition to a freshly-spruced-up ’57 Biscayne.

Above, ’57 Biscayne artists transform the upstairs lobby and install Placiness.

Cherry Street Coffee House viewed through our new neon sign

Cherry Street Coffee House viewed through our new neon sign

 

Good Arts sign guarded by attack chihuahua while awaiting installation

Good Arts sign guarded by attack chihuahua while awaiting installation

 

Placiness: Art inspired by Seattle

The Good Arts Building is dedicated to preserving space for artists to create in the middle of the city. Most people we talk to agree that it’s a great thing to make sure artists stay in the city. But what about the art they make there? Why do the artists themselves want to stay and make their work in Seattle?

Placiness, an exhibit curated by Good Arts partner Jane Richlovsky, opens August 4 at ‘57 Biscayne on the second floor of the Good Arts Building. The show gathers visual evidence of what it actually means–from the artists’ points of view–to live and work in Seattle, to move about the city and to look at things and people. Featured guest artists include Seattle Sketcher Gabriel Campanario, Juan Alonso, Molly Magai, the late Drake Deknatel and more.

The show will run concurrent with the Seattle Art Fair, August 4-7, at 110 Cherry Street in Pioneer Square. An Artists’ Reception will be held Saturday, August 6 from 5-8 PM. Hours during the fair are First Thursday August 4, 5-8 PM; Fri/Sat. 12-8 PM; Sun. 1-6 PM

In keeping with its mission, Good Arts has signed on as an Event Partner to the Seattle Art Fair, and is hosting a Fair venue downstairs from the studios. In addition, the Good Arts Building is providing storefront space to La Sala Latino/a Artists Network and the Center on Contemporary Art; these groups are independently organizing concurrent events.